| “Undoubtedly, at ten years old you would not have felt the sense of fear, as you say,” blurted out the prince, horribly uncomfortable in the sensation that he was just about to blush. |
“H’m! impossible is rather a strong word,” said Ivan Petrovitch. “You must allow, my dear prince... However, of course you value the memory of the deceased so very highly; and he certainly was the kindest of men; to which fact, by the way, I ascribe, more than to anything else, the success of the abbot in influencing his religious convictions. But you may ask me, if you please, how much trouble and worry I, personally, had over that business, and especially with this same Gurot! Would you believe it,” he continued, addressing the dignitary, “they actually tried to put in a claim under the deceased’s will, and I had to resort to the very strongest measures in order to bring them to their senses? I assure you they knew their cue, did these gentlemen--wonderful! Thank goodness all this was in Moscow, and I got the Court, you know, to help me, and we soon brought them to their senses.”
The prince was much interested in the young man who had just entered. He easily concluded that this was Evgenie Pavlovitch Radomski, of whom he had already heard mention several times. He was puzzled, however, by the young man’s plain clothes, for he had always heard of Evgenie Pavlovitch as a military man. An ironical smile played on Evgenie’s lips all the while the recitation was proceeding, which showed that he, too, was probably in the secret of the ‘poor knight’ joke. But it had become quite a different matter with Aglaya. All the affectation of manner which she had displayed at the beginning disappeared as the ballad proceeded. She spoke the lines in so serious and exalted a manner, and with so much taste, that she even seemed to justify the exaggerated solemnity with which she had stepped forward. It was impossible to discern in her now anything but a deep feeling for the spirit of the poem which she had undertaken to interpret.Aglaya rushed away homewards with these words.
“Ladies are exempted if they like.”“Of course, of course! How was it?”
“Of course, of course, quite so; that’s what I am driving at!” continued Evgenie, excitedly. “It is as clear as possible, and most comprehensible, that you, in your enthusiasm, should plunge headlong into the first chance that came of publicly airing your great idea that you, a prince, and a pure-living man, did not consider a woman disgraced if the sin were not her own, but that of a disgusting social libertine! Oh, heavens! it’s comprehensible enough, my dear prince, but that is not the question, unfortunately! The question is, was there any reality and truth in your feelings? Was it nature, or nothing but intellectual enthusiasm? What do you think yourself? We are told, of course, that a far worse woman was _forgiven_, but we don’t find that she was told that she had done well, or that she was worthy of honour and respect! Did not your common-sense show you what was the real state of the case, a few months later? The question is now, not whether she is an innocent woman (I do not insist one way or the other--I do not wish to); but can her whole career justify such intolerable pride, such insolent, rapacious egotism as she has shown? Forgive me, I am too violent, perhaps, but--”
| “I thought he must have come for this purpose. |
| “Do go on, Ferdishenko, and don’t make unnecessary preface, or you’ll never finish,” said Nastasia Philipovna. All observed how irritable and cross she had become since her last burst of laughter; but none the less obstinately did she stick to her absurd whim about this new game. Totski sat looking miserable enough. The general lingered over his champagne, and seemed to be thinking of some story for the time when his turn should come. |
“Yes--no--half a candle--an end, you know--no, it was a whole candle; it’s all the same. Be quiet, can’t you! He brought a box of matches too, if you like, and then lighted the candle and held his finger in it for half an hour and more!--There! Can’t that be?”
Our friends took chairs near the side exit. The crowd and the music cheered Mrs. Epanchin a little, and amused the girls; they bowed and shook hands with some of their friends and nodded at a distance to others; they examined the ladies’ dresses, noticed comicalities and eccentricities among the people, and laughed and talked among themselves. Evgenie Pavlovitch, too, found plenty of friends to bow to. Several people noticed Aglaya and the prince, who were still together.
| Hippolyte looked around at the laughing guests. The prince observed that his teeth were chattering as though in a violent attack of ague. |
“But what’s to be done? It’s a serious matter,” said the prince, thoughtfully. “Don’t you think you may have dropped it out of your pocket whilst intoxicated?”
“Norma backed slowly and carefully away from the brute, which followed her, creeping deliberately after her as though it intended to make a sudden dart and sting her.“There, look at her,” cried Nastasia, trembling with passion. “Look at this young lady! And I imagined her an angel! Did you come to me without your governess, Aglaya Ivanovna? Oh, fie, now shall I just tell you why you came here today? Shall I tell you without any embellishments? You came because you were afraid of me!”
“Well, I’m going,” he said, at last, preparing to recross the road. “You go along here as before; we will keep to different sides of the road; it’s better so, you’ll see.”
| “Are you tempting me to box your ears for you, or what?” |
| The prince rose. |
| “You wouldn’t draw his portrait for us, that’s why you are to blame! Aglaya Ivanovna asked you to draw his portrait, and gave you the whole subject of the picture. She invented it herself; and you wouldn’t.” |
Hippolyte turned upon him, a prey to maniacal rage, which set all the muscles of his face quivering.
| “When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion. |
| “At last he began to mount the steps; his legs were tied, so that he had to take very small steps. The priest, who seemed to be a wise man, had stopped talking now, and only held the cross for the wretched fellow to kiss. At the foot of the ladder he had been pale enough; but when he set foot on the scaffold at the top, his face suddenly became the colour of paper, positively like white notepaper. His legs must have become suddenly feeble and helpless, and he felt a choking in his throat--you know the sudden feeling one has in moments of terrible fear, when one does not lose one’s wits, but is absolutely powerless to move? If some dreadful thing were suddenly to happen; if a house were just about to fall on one;--don’t you know how one would long to sit down and shut one’s eyes and wait, and wait? Well, when this terrible feeling came over him, the priest quickly pressed the cross to his lips, without a word--a little silver cross it was--and he kept on pressing it to the man’s lips every second. And whenever the cross touched his lips, the eyes would open for a moment, and the legs moved once, and he kissed the cross greedily, hurriedly--just as though he were anxious to catch hold of something in case of its being useful to him afterwards, though he could hardly have had any connected religious thoughts at the time. And so up to the very block. |
| “And you preached her sermons there, did you?” |